“Amelia” is a frustratingly old-school, Hollywood-style, inspirational biopic about Amelia Earhart that doesn’t trust a viewer’s independent assessment of the famous woman pictured on the screen. The mystery we ought to be paying attention to is: What really happened on the legendary American aviator’s final, fatal flight in 1937 But the question audiences are left with is this: How could so tradition-busting a role model have resulted in so square, stiff, and earthbound a movie Why present such a modern woman in such a fusty format Dressed for the title role in a wardrobe of jumpsuits, leather jackets, scarves, and slinky evening wear dashing enough to stop air traffic, Hilary Swank’s Earhart doesn’t so much talk as make stump speeches — even when she’s at her own breakfast table.
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U.S. divorcee’s Japanese custody heartache
At Spencer Morrey’s home, there are two constant sounds: His dad, Craig, murmuring, “You’re okay, Spence. You’re okay, buddy,” and the sound of a machine clearing the toddler’s airway
The race to inoculate against swine flu
Both sounds come every few minutes, in between hugs, tears and kisses. Spencer has severe cerebral palsy and requires constant, 24-hour medical care.