Special-effects master dies

When Ray Harryhausen was 13, he was so overwhelmed by King Kong that he vowed he would create otherworldly creatures on film. He fulfilled his desire as an adult, thrilling audiences with skeletons in a sword fight, a gigantic octopus destroying the Golden Gate Bridge, and a six-armed dancing goddess

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Album review: Music Box Opera – Delerium

MUSIC BOX OPERA Delerium (Border) Although they are probably best known for the single Silence with fellow countrywoman Sarah McLachlan, Delerium have been at the forefront of Canada’s electro–ambient movement for nearly two decades. Though their beats are still more Enigma-ish than trip hoppy, there’s an ethereal pop cinematic quality to songs such as Consciousness Of Love and Chrysalis Heart, while Monarch, featuring Nadina is reminiscent of the Middle Eastern worldliness of Dead Can Dance

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Album review: EP II – Mmdelai

EPII MMDELAI (Self released) A couple of years ago, Annemarie Duff’s first-up full-lengther For Sleep and Creativity did what it said on the tin…drifting, ambient electronica suited for starry-eyed dreamers or reiki therapists’ waiting rooms. Now with three other conspirators (student friend Jess Hix, Danny Webster and philosophy graduate Josh Black) behind her, the music has filled out: not only are Duff’s breathy vocals underpinned by dark, Bjork-ish tones of dread and wonder, but there’s a sparkling, ethereal quality to the synths and a whip-crack depth to the bass and beats

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The Abu Ghraib Scandal You Don’t Know

American soldiers often have a tough time with Arabic names, so to guards, he was just “Gus.” To the world outside Abu Ghraib prison, he became an iconic figure, a naked, prostrate Iraqi prisoner crawling on the end of a leash held by Private Lynndie England, the pixyish Army Reserve clerk who posed in several of the infamous photographs that made the name Abu Ghraib synonymous with torture. Now, it emerges, there may be another dimension to Gus’ story and certainly to the horrors of Abu Ghraib.

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